My Sweet Patootie - Live Music from Canada!
Time & Location
About The Event
My Sweet Patootie embraces the fun that makes live music so intoxicating. With a sly wink and a grin, they draw you into a world of carnival barkers and nostalgic romantics, making you feel like you're a part of it all. Shades of vintage swing, country blues, folk, and ragtime collide in an uplifting vaudeville-style show performed with tight vocal harmonies, instrumental virtuosity, and humorous storytelling. It's a unique musical experience that transcends the borders of the acoustic-roots genre, promising to entertain music lovers of all kinds. See a clip of them performing here
Tickets £9 (U18: £6) Family: £25
From 01297 560948 and collect on door
Or online at www.Artsreach.co.uk
This dynamic trio features Canadian Folk Music Award winners singer-violinist Sandra Swannell and singer Terry Young who's fingerstyle guitar work functions simultaneously as the group’s guitar and bass. The tasteful brushwork of percussionists Paul Clifford (North America) and John Jackson (UK) perfectly complements their music
Since 2007 My Sweet Patootie has been bringing communities together through positive and engaging performances with an emphasis on entertainment and family-friendly fun. The band has released 4 full-length albums and tours regularly across Canada and USA. In autumn 2018 they return to the UK for their eighth tour, running from late August to early October.
The band's name "My Sweet Patootie" is 1920’s slang, a term of endearment from North America meaning "hot dame" or "sassy sweetheart". It captures the vintage flavour of the band’s music and the satirical edge in much of their songwriting. Several ragtime titles from the jazz-age reference the expression, as do the lyrics of "Everybody Loves My Baby" (1924) by Spencer Williams and Jack Palmer. More significantly for Young and Swannell is "Sweet Patootie Blues" (1928) by Arthur "Blind" Blake, who was well known for his complex and intricate finger picking.
Terry Young is described by Penguin Eggs as an “acoustic guitar god”. BBC critic James Harrox calls his playing "virtuosic", while FATEA magazine describes it as "jaw dropping". He has taught advanced fingerstyle guitar clinics and has written about his technique for Chicago's Plank Road Folk Music Society Magazine. He is a talented multi-instrumentalist who toured from 1999 - 2009 with the group, Tanglefoot; performing on guitar, mandolin, banjo, and pennywhistle. Terry is a classically trained singer and holds a Bachelor of Music from the University of Western Ontario.
Sandra Swannell is a classically trained violinist/ violist, but her style owes much more to the influences of Joe Venuti and Stephane Grappelli. Her diverse musical background ranges from recording with Canada's legendary Stompin' Tom Connors to writing a series of musical sketches for string orchestra. She was the principal violist of the Georgian Bay Symphony and fronted the Celtic art-rock band The Shards before joining the group, Tanglefoot in 2005. Sandra has taught violin/ viola clinics for festivals, schools, community orchestras for many years as well as her own private studio.
With the departure of group's original drummer Bradford Nowak in 2015, My Sweet Patootie became a truly international band with percussionist John Jackson from Devon joining for UK tours, and Canadian Paul Clifford for North American tours.
John Jackson has evolved from a teenage drummer into a nightclub DJ in the South West of England and during the last 10 years has returned to his passion of drumming. John has an eclectic mix of musical inspiration, ranging from Genesis to Johnny Cash. His drumming experience includes everything from theatre pit work, to acoustic acts where he plays cajon, to rock and roll working with function bands. When he is not drumming, John enjoys camping with his family at various music festivals around the UK. He also enjoys playing the guitar.
Paul Clifford is a drummer, percussionist, songwriter, and producer now based in Ontario. Musically growing up on the west coast of Canada, Paul played in various jazz/ blues bands, theatre productions, reggae bands, and toured/ recorded with the Vancouver folk-roots ensemble The Be Good Tanyas. Music education includes the many pilgrimages to New Orleans, Cuba, jazz studies on Vancouver Island, busking the streets of Europe with his tiny drum kit, and years of touring/ recording with the North American roots trio Groanbox. Based in the English countryside of Kent for ten years, Paul worked as a record producer for Smugglers Records, was the musical director for the vaudevillian theatre collective The Private Widdle Social Club, and kept active in the local and London blues scenes.